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A particularly surprising one, far from his most common works. It consists of a 24-karat gold scorpion embedded between two layers of quartz, faceted on the top, and with a hand-carved circular satin pattern on the bottom, reminiscent of water, since the scorpion is a sign of water. When we ask him about this specimen, he tells us: “ I just developed the technique. That was a prototype for a project I thought up for a client, who asked me to facet a pink tourmaline with a visible scorpion. The obvious first choice was to cut some frosted facets to outline a scorpion, but I wanted to try something new .” He explains to us that he prefers to keep the details of this technique secret, the process is long and requires several steps , and he wants to perfect it yet. This leads us to ask him about inspiration when thinking about his designs: “When I start creating a design, the most inspiration comes from the initial shape of the raw material: the main goal is to maximize performance without giving up a spectacular design ”. Regarding the processes, Egor explains the difference between precision carving and traditional carving : “ The difference is in the approach, in the final goal, and also in the carving technique. Commercial knapping is done to extract the maximum possible weight from a lump of raw mineral.
Lt is a massive production, where each carver can make dozens of stones a day. The need to obtain maximum weight and speed means that the symmetry and proportions of commercial cut gems are in most cases far from optimal. For example, a very common defect is the presence of a transparent area in the center of the gem, called a window. It occurs because the rough Cell Phone Number List did not have enough depth for the size of the gem, or because it was cut at incorrect angles, to inflate the stock and obtain the greatest possible weight while sacrificing its brilliance. Errors in symmetry and low quality of polishing of the facets are also very common. Spanish sphalerite of 90.81 ct, with “Equilibrium” cut, by Egor In precision cutting, what prevails is the beauty of the gem, even having to lose a little more than the weight of the initial rough . Gems with windows, symmetry errors, low quality polishing are not accepted. The angles of the cut are optimized to ensure maximum brilliance of the gem. Furthermore, while commercial carving uses a few carving shapes and styles known for centuries, precision carving focuses on creating unique and original carvings . The time to make these carvings is much longer as well, from hours to dozens of hours per stone .” We also asked them about their references in the area of gem cutting.
Gavrilenko is very clear: “ I can mention two people that I especially admire. One is Victor Tuzlukov , a Russian carver based in Bangkok, a great artist who creates truly unique gems, with very complex designs and impeccable perfection of workmanship. Many of his designs are inspired by philosophical concepts, and he is also a great promoter of precision carving worldwide, organizing exhibitions, competitions, giving conferences... Mechanization Series- amethyst, citrine and prasiolite machined and engraved as functional gears, by Dalan Hargrave Another is Dalan Hargrave , an American carver who stands out in his most innovative forms of carving, such as carvings with concave facets, engraving and other unusual carving styles. When it might seem that it is already difficult to see something new in the carving technique, Dalan's new pieces continue to surprise you more and more.
Lt is a massive production, where each carver can make dozens of stones a day. The need to obtain maximum weight and speed means that the symmetry and proportions of commercial cut gems are in most cases far from optimal. For example, a very common defect is the presence of a transparent area in the center of the gem, called a window. It occurs because the rough Cell Phone Number List did not have enough depth for the size of the gem, or because it was cut at incorrect angles, to inflate the stock and obtain the greatest possible weight while sacrificing its brilliance. Errors in symmetry and low quality of polishing of the facets are also very common. Spanish sphalerite of 90.81 ct, with “Equilibrium” cut, by Egor In precision cutting, what prevails is the beauty of the gem, even having to lose a little more than the weight of the initial rough . Gems with windows, symmetry errors, low quality polishing are not accepted. The angles of the cut are optimized to ensure maximum brilliance of the gem. Furthermore, while commercial carving uses a few carving shapes and styles known for centuries, precision carving focuses on creating unique and original carvings . The time to make these carvings is much longer as well, from hours to dozens of hours per stone .” We also asked them about their references in the area of gem cutting.
Gavrilenko is very clear: “ I can mention two people that I especially admire. One is Victor Tuzlukov , a Russian carver based in Bangkok, a great artist who creates truly unique gems, with very complex designs and impeccable perfection of workmanship. Many of his designs are inspired by philosophical concepts, and he is also a great promoter of precision carving worldwide, organizing exhibitions, competitions, giving conferences... Mechanization Series- amethyst, citrine and prasiolite machined and engraved as functional gears, by Dalan Hargrave Another is Dalan Hargrave , an American carver who stands out in his most innovative forms of carving, such as carvings with concave facets, engraving and other unusual carving styles. When it might seem that it is already difficult to see something new in the carving technique, Dalan's new pieces continue to surprise you more and more.